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última alteração deste documento @ April 01 2010 00:23:25.(GMT)


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Ferloscardo - technical rider

mAdMuD

ficha técnica

1. palco e cenário

O palco deve ter uma largura mínima de 5m (+ áreas de serviço), 3m de profundidade e uma altura de 3m.
O chão do palco deve ser nivelado (sem inclinação) e preto fosco em todas as áreas de representação.

2. Material de iluminação

Se possí­vel, as luzes de público devem ser controladas por DMX.

Material de iluminação a ser fornecido pelo promotor:

  • 18 - canais 16A@220V de dimmer digital DMX 512
  • 08 - bases de chão
  • 03 - PC (prismconvex) 1kW com palas, porta filtros, grampo etc.
  • 16 - PAR64 com óptica CP62 com porta filtros, grampo etc.
  • 03 - recortes Robert Juliat 613 SX

o modelo mais abaixo é somente um exemplo; por favor envie-nos as plantas do seu espaço para uma adaptação.

3. Som

Public Address:
  • clusters para esquerda e direita garantindo uma cobertura total do público (+/- 3dB SPL A-weighted) com resposta linear 20Hz-20kHz / +/-3dB providing 95 dB SPL (A-weighted) na posição de mistura, reservando 12dBu de margem de ganho para todo sistema
  • preferência: Meyer Sound, Nexo, Renkus-Heinz, D&B, Kling&Freitag
Som de Palco:
  • 1 monitores de chão, de preferência bi-amplificados
    preferência: Meyer Sound, Nexo, Renkus-Heinz, D&B, Kling & Freitag
Processo:
F.O.H. mesa de mistura:
  • min 12 canais com euqlização paramétrica de 4 bandas, filtro passa altas, insert, inversão de fase e alimentação 48V individual
  • deve ter no mí­nimo 2 misturas auxiliares selecionáveis pre ou post fader
  • a regie de som deve estar localizada no centro do público
  • preferência: MIDAS, Yamaha PM series, Soundcraft MH series / Vi series
    mesas digitais da Roland ou Behringer não são aceites em nenhuma circumstância!
    dynamics and FX:
  • 3 canais de EQ gráfico 1/3 de oitava 31 bandas (2 para F.O.H. som + 1 para Monição)
    preferência: Klark Teknik, BSS, DBX, Drawmer
  • 1 multieffect (pref. TC Electronics, Lexicon PCM series or 480L, Yamaha SPX1000, 990 or 900)
  • 4 canais de compressão dinámica (pref. DBX, BSS, Drawmer)

Lista de Vias:

position

channel

description

mike / DI

stand

insert

piano1vocalDPA 4060headsetvalve compressor
piano2percDPA 4060rubber clipcompressor 1
piano3piano lowDPA 4060magnetic clipcompressor 2
piano4piano highDPA 4060magnetic clipcompressor 3
FOH15MPX1 return leftline
FOH16MPX1 return rightline


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O sistema de som deve estar montado e pronto para ser testado na nossa chegada.

    outros equipamentos:
    • 1 CD player
    • 1 - piano de cauda (pref. Bösendorfer Model 225)
    • 1 - banco de piano (a altura deve ser regulável)
    • 1 - stand para pautas

3. Plantas e alçados


PDF | SVG

4. Horário de trabalho




técnicos locais

dia

periódo

tarefas

som

luz

maquinaria

ajudantes

1


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morning


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setup set / light / sound

2

2

2

2


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afternoon


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soundcheck / focus / runthru

1

1

1

0


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night


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performance / breakdown

1

1

1

0


4. Camarins e espaços auxiliares

Vamos precisar de 2 camarins (pelo menos um com duche e água quente) para 2 pessoas cada.
O acesso para o palco e para a regie deve tão directo quanto possí­vel e ser vedado ao público.
Precisaremos no mí­nimo 1l de água mineral sem gas para cada membro da nossa equipa todos os dias.
Se possí­vel, gostariamos de ter acesso Internet por cabo num dos camarins.

5. Serviços de lavandaria

Poderá existir a necessidade de limpeza a seco.
Por favor confirme isto na nossa chegada.

6. Contactos

técnica:
Anatol Waschke
anatol[at]anatol[dot]biz
+351 914 937 950
www.anatol.biz

produção:
Sofia Matos
+351 966 379 333
sofiamatos[at]bscultural[dot]org

document copyleft by Anatol Waschke